Dr. Heidi Hart’s lecture illuminated the provocative intersection of art, activism, and climate trauma. Through an interdisciplinary lens, she explored why climate activists increasingly target iconic artworks in museums as sites of performative protest, interpreting these acts not as mere vandalism but as symbolic disruptions challenging elitist cultural values amid ecological crisis. Drawing on frameworks from populism studies, art history, and affect theory, Dr. Hart examined how these interventions reflect a passionate response to climate grief and injustice. Her analysis underscored the importance of understanding such protests within broader debates on decolonization, posthumanism, and collective responsibility, encouraging participants to view artistic destruction as both a critique of cultural complacency and a call for ecological transformation.
Reported by ECPS Staff
On the third day of the ECPS Academy Summer School 2025—titled “Populism and Climate Change: Understanding What Is at Stake and Crafting Policy Suggestions for Stakeholders”—took place online from July 7–11, 2025, participants were treated to a rich and thought-provoking lecture by Dr. Heidi Hart, who offered an interdisciplinary perspective on a particularly provocative theme: the intersection of art vandalism, populist performance, and climate trauma.
Dr. Hart is an arts scholar, curator, and practitioner with a deep commitment to exploring the affective dimensions of ecological crisis through cultural forms. She is based between Copenhagen and North Carolina and holds a Ph.D. in German Studies from Duke University (2016). Her scholarly trajectory spans environmental humanities, climate grief, sound and music in ecological narratives, and the artistic aesthetics of destruction. Among her major works is the recently published monograph Climate Thanatology, which examines artistic engagements with death, loss, and creative transformation in the shadow of climate collapse. Her current research project, Instruments of Repair—supported by the Craftford Foundation—extends this inquiry into the ecological afterlives of musical instruments, analyzing how materials and sound objects decay, renew, and reenter cycles of natural transformation.
